Tipping The Scales Between Heart And Humor by @leezaworks and GIVEAWAY

Recently, I saw Penn & Teller live. It was a riveting show filled with mystical “ooohs,” enlightened “aaaahs,” and of course, plenty of laughs. The magician-entertainers are dubbed as a comedy duo and they delivered right on point—tricks, tension, punch lines, you name it… all tied up into one gratifying package.

When I began tinkering with ideas for this blog post wondering what on earth I could possibly say that you might find helpful in writing/illustrating this year’s theme, I couldn’t help but think about the show. Or, rather, the relationship between Penn and Teller, their relationship with the audience—and their balance between heart and humor.

Penn—aka the tall, chatty one with glasses—took viewers on a journey, spinning tales of yesteryear. He harkened back to childhood, celebrated the pair’s relationship that has spanned four decades and walked us through old-school magic tricks such as the classic pull-a-rabbit-out-of-a-hat number and an impressive fire-eating act. He built up tension in between each illusion, and from start to finish, verbally narrated the evening that culminated with a satisfying ending.

He was the author. He told us a story full of heart.

Teller—aka the silent one—entertained us visually with magic acts. He expertly mimed with comical delight, using a wild array of facial expressions, props and body language (I’m still gaga over the turning-pennies-into-goldfish trick!). And he did it all without uttering a single word.

He was the illustrator. He painted the pictures and gave us the humor. (Not to mention being the epitome of “Show, don’t tell!’)

Hernandez_PennTeller

Setting Up

The warm-up act was a jazz musician who played piano for an hour during which, he invited the entire audience to inspect a large wooden barrel and box set up on stage. It was an unexpected surprise to me. I realized he had deliberately set the tone for what lay ahead in the show. Was that orchestrated by the magicians? Of course!

Clearly Penn and Teller’s success is rooted in the strength of their working relationship with one another and knowing how to composite great live entertainment. For me, the performance had just the right balance of heart and humor, interspersed with tension, drama, and unexpected twists.

This led me to thoughts of the working relationship between author and illustrator—and how we find just the right balance in our work between heart and humor. Maybe you can have a lot of one, but need a little of its counterpart to create harmony.

That doesn’t necessarily mean exactly equal parts. I doubt you would paint a room exactly half black and half white. But rather, when you work up a first draft, dummy or outline, you step back and see where to emphasize your main focus (heart or humor), pepper in a little of the other where it’s needed most and perhaps round out with some tension, drama or unexpected twists—with the idea of delivering one gratifying package to your viewer: the reader.

Invite your audience to inspect the wooden barrel and box

Front matter of a book—endpapers, title, copyright and dedication pages—offer valuable real estate that can help set the tone of what lies ahead (heart, humor, or both) before your story begins.

It’s easier, yes, if you are the illustrator or illustrator/author, but even if you are not an illustrator there’s nothing to stop you from making suggestions. Be sure to give whatever you’ve suggested a reason to exist, not just because it’s funny or sweet, but that it contributes to the storytelling. As well as thoughtful illustrations, cleverly-written dedications, disclaimers, or special notes to the reader can set up the tone of your book.

Know When To Lighten Things Up

When your story’s scale tips toward sweet or sad, offer up some subtle comic relief to give your characters and readers hope—plus a way to stay engaged. If you have kids, or recall your own childhood, think about an emotional time when you or another family member used humor to help them (or you) snap out of a mood? Or did someone discover you actually cared all along, but you wouldn’t admit it and immediately you made fart sounds with your armpit to create a diversion from … you know… your ‘feelings’?

Give Reason To Care Beyond the Jokes

When the manuscript’s scale tips to the funny or silly, make sure you pull on that heartstring once in a while to strengthen the bond between your character(s) and story. A book filled with a list of one-liners won’t give your readers any real reason to care—or desire to know how it all turns out—basically it’s just a joke book.

Add Surprises

Once you’ve established your basic structure, look at where you can then: add a dash of tension (even when a comically-clumsy magician thrusting swords into the box that currently contains the beautiful assistant can still cause a reader to catch his/her breath); sprinkle drama to create some anticipation to wild shenanigans (cue the page turn, or cliffhanger); or feature an unexpected twist that can cinch the deal to that satisfying ending.

Think Less is More

And, if you’re caught trying to shove the playing cards back up your sleeve in hopes that no-one notices, you might be trying too hard. Keep it simple. Take a break. Deconstruct your work then build it back up. That’s what revision is for, right?

With the Penn & Teller show, the comedy was expected. The tricks looked simple and effortless (although I am sure countless hours were spent perfecting every nuance of the performance). In the end, the heartfelt narration was a nice surprise that made me care about these two in a deeper way, far more than I did before walking into the theater.

So, whether illustrating or writing: Get all your props together, find that balance, hit the stage and deliver a gratifying and magical package to your favorite audience—your readers!

HernandezL_HeadshotLeeza Hernandez illustrates (and sometimes writes) picture books including Dog Gone! and Cat Napped! and Never Play Music Right Next To The Zoo written by John Lithgow—as well as The Eat Your Homework series by Ann McCallum. She’s currently on lockdown in her studio illustrating Amy Parker’s This Is Your Day (Scholastic, Fall 2017). No really, she’s been locked in and no-one will let her out until she meets her deadline! You can find Leeza on Instagram and Twitter @leezaworks or visit leezaworks.com

If you are registered for Kidlit Summer School, you can download a worksheet of Leeza’s research exercise at our Exercise Book. This is a password-protected area — only members allowed! Please check your email for the password.

GIVEAWAY! Leeza is giving away a magical goodie box filled with surprises (including a 20-minute chat coupon where she’s happy to answer any of your burning questions) and fun props that may make you laugh, cry or both, plus three runner-up note packs. If you are a registered Summer School student and would like a chance to win a prize, please leave a comment on this post to be entered into the drawing. Good luck!

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